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In an era that makes a better claim than most upon the familiar term transitional, Andrew Marvell is surely the single most compelling embodiment of the change that came over English society and letters in the course of the seventeenth century. Author of a varied array of exquisite lyrics that blend Cavalier grace with Metaphysical wit and complexity, Marvell turned, first, into a panegyrist for the Lord Protector and his regime and then into an increasingly bitter satirist and polemicist, attacking the royal court and the established church in both prose and verse. It is as if the most delicate and elusive of butterflies somehow metamorphosed into a caterpillar.
